The cyanotic blue, crystallised lung sculpture is the physical of respiratory distress and embodies the the threat of mining our deep sea floors, for the nodules that produce out life sustaining oxygen without sunlight, and the consequential noxious impacts.
FINALIST IN THE BURRING CLIMATE CHNAGE BIENNALE ART PRIZE
EXHIBITED 22ND AUGUST - 25TH OCTOBER 2026
26 x 37 x 9cm - Borax Crystalised Lung Sculpture
‘Bittersweet building blocks’ honours a bond to place, person and time, forged through the potent emotions evoked in tender moments. Snapshots captured in imagery and verse are viewed at a slight distance, through a veil of affection and acrylic. Odes to transformation, awe, touch and unity; whisk viewers into the cozy confines of reminiscence. This work considers one’s identity a home, with foundations built from nostalgic bricks. The yearning to revisit an imprinted memory, indulged through the seductive comfort, wistful nature and intimacy of each piece.
EXHIBITED AT PLATFORM PRESENTS '5th BIRTHDAY CELEBRATION'
(ABBOTSFORD CONVENT)
DELIVERENCE
Photography layered with poetry, printed into acrylic blocks (A4 size, 14mm thick)
COLLECTIVE HUSH
Photography layered with poetry, printed into acrylic blocks (A4 size, 14mm thick)
THESE HANDS
Photography layered with poetry, printed into acrylic blocks (A4 size, 14mm thick)
ZAPPED (2023)
40cm x 30cm Metal Mixed Media Print with gloss coating
OMITTED (2022)
11" X 14" Metal Mixed Media Print with gloss coating
PERIPHERAL OBSERVER (2024)
50cm x 40cm Metal Mixed Media Print with gloss coating
CELESTIAL WITNESS (2024)
30 X 40cm Metal Mixed Media Print with gloss coating
THE BUTTERFLY EFFECT OF INCLUSION (2024)
WINNER OF THE 2024 VICTORIAN PARLIAMENT STATE OF THE FUTURE YOUTH COMPETITION
'The Butterfly Effect of Inclusion' stems from a a future envisioned, in which our individual choices, no matter how small, echo. Where positive influence ripples, like the wings of a butterfly through the atmosphere, eroding division, carving a path for universal access and inclusion. Where we see non-linear, cascading effects on entrenched complex systems. A time in which we are aware of our light, our expanding impact; amplified through voicing, combining and valuing one another’s lived experience. A cohesive world, in which we collectively call in rather than call out, acknowledge our interconnectivity and are conscious that one moment of connection can transform a life.
‘Where the Light Entered’ was born from Tayla’s complex relationship with reminiscing, as someone with a progressive neuromuscular condition and her close affinity with poet Rumi’s infamous words ‘the wound is the place where the light enters’. The collection explores the distortion of time and meaning, through the lens of fragmented memory, inviting the viewer to ponder a reality for many who have navigated life in ‘survival mode’. Each photograph delves into a delicate, amnesiac recollection of pain and healing, highlighted in the pops of colour, representing; the vivid emotions, details and wounds, that pierce through the fog of faint recall. Guided by the voice within the accompanying fractured poetic captions and complete poem, ‘Remembrall’ challenges viewers to question the unreliable narrator that we call memory. Each piece mirroring how flashbacks may present themselves to us, fully formed, detailed and sticky or illusive, hazy and out of focus. All equally valid and formative, shaping our sense of self. Posing the question; who might we be without these?
EXHIBITED PLATEFROM PRESENTS 'IN A DISTANT MEMORY'
(ABBOTSFORD CONVENT, 2024)
MEMENTO MOSAIC
30 x 60cm Metal Photographic Print with poetry caption plate
HOLD FOR REWIRING
30 x 70cm Metal Photographic Print with poetry caption plate
TENDER TOUCH
40 x 60cm Metal Photographic Print with poetry caption plate
CRIMSON SCARS
40 x 60cm Metal Photographic Print with poetry caption plate
LAVENDER GAZE
40 x 50cm Metal Photographic Print with poetry caption plate